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Disappearance of 191 exhibits uncovered during
routine inspection at the State Hermitage
List of Works of Art
- Crystal vase in the shape of a shell, on a crystal
base, with carved ornamentation in a varicolored enamel coated silver
frame. The lower part of the stem is in the shape of a dolphin, and the
handle is shaped like two snakes.
19th century
Rock crystal, silver, enamel, carving, engraving
10.6õ10.8õ4.8
156.1 g.
- Vase made from variegated brown agate, oval on a silver support that
is covered in light blue enamel with gilded vegetal pattern; silver stem
in the shape of the gilded trunk of a tree, around which a grapevine is
wound, its leaves covered in green enamel and carrying red glass fruit,
supported by two silver tritons.
19th century
Silver, agate, enamel, carving
12.7õ9,6õ6.3
194.25 g.
- Clock in the shape of a gilded armchair with the face fixed onto the
back of the chair; the clock face and the seat are enameled and bear pictures:
the clock face shows a courtier beside a spinning-wheel; the seat shows
a girl and young man under a tree with baskets of flowers.
19th century.
Silver, enamel, glass, brass, steel, casting, engraving
11.1õ5.6
103.64 g.
State of preservation: the glass has a crack
- Oval-shaped desk clock, enameled, fixed to the gilded silver figure
of an ostrich standing on an enamel pedestal shaped like a hemisphere
with painting of mythological scenes
19th century
Silver, enamel, glass, brass, steel. Casting, engraving
14.5õ4,4õ6.3
211.96 g.
- Two-sided Oranta (Panagia) with colored enamel, colored glass lined
with foil, 30 low grade emeralds and pieces of red glass. On one side,
the depiction of Christ; on the other side, the Virgin. In the upper part,
there is an intricate crown on a hinge.
18th century.
Silver, low-grade emeralds, enamel, glass, foil
12.1õ7.9
134.2 g.
State of preservation: the pin in the hinge is missing; one nest is empty;
below there are four rings from pendants, with two leaves in a flower
missing.
- Enamel salt cellar made of gilded silver, round in cross section,
narrows towards the top, on a stem and round base, heavily decorated in
cloisonne enamel of predominantly light blue color. Two silver marks:
Grachev Brothers and in an oval - 84 hallmark silver and the emblem of
St Petersburg
Late 19th century
Silver, enamel, gilding
6.2õ9.5õ9.5
282,2 g.
- Gilded salt cellar in the shape of a figure box, fully covered with
light blue, red and white cloisonne enamel; on the cover - a gilded two-headed
eagle; the joint-pin of the cover is copper; on the cover there are two
hallmarks - NA and 88
Late 19th century.
Silver, enamel, copper, gilding
8.1õ6.2õ6.2
160.4 g.
State of preservation: the eagle has come unsealed
- Four-sided tankard, partly gilded and with ornamentation in relief.
Handle in the shape of bound ears of wheat; along the body there are painted
inserts depicting the vodka distillery of the Yerofeev Brothers. In the
upper part there is a gilded insert with enamel, inscriptions and escutcheons
of arms. At the bottom there are 4 hallmarks: Ë.Î.1896; 84; ÌÒ and the
emblem of the city of Moscow.
1896.
Silver, enamel
18.3õ14.3õ8.7
1885.0 g.
State of preservation: one insert with inscription has come off.
- Cross - reliquary, gilded, chased and with mounted crucifixion. On
the reverse, chased leaf ornament with five circular medallions. Two hallmarks:
emblem of the city of St Petersburg with the date "1760" and
"ÍΘ"
1760.
Silver, gilding, chasing
35.0õ20.0
633.7 g.
- Cross - reliquary, gilded, with six enamel painted plaques bearing
depictions of the crucifixion, God the Father, two saints, a skull and
prayer over the chalice. 4 hallmarks: 1Â 1814; ÎÍ; 84 and the emblem of
the city of Moscow
1814.
Silver, gilding, enamel
37.0õ23.0
758,0 ãð.
- Chalice, gilded, with beaded filigree tracery on the body and four
oval enamel images; the boot and base are chased, with four rectangular
enamel pictures. At the edge of the base are 4 hallmarks: ÍÄ1830; Àß;
84 and the emblem of the city of Moscow
1830.
Silver, enamel, gilding, chasing
32.0õ12.5õ12.5
941.0 g.
- Chalice, gilded, with filigree tracery on the body and cross-shaped
apertures holding four oval enamel pictures. The base has chased rocaille
ornamentation and four oval enameled inserts depicting the Passion. At
the edge of the base there are 4 hallmarks: ÐÌ; 1779 ÂÀ; and two hallmarks
with the emblem of the city of Moscow.
1779.
Silver, enamel, gilding, chasing
27.0õ19.0õ19.0
1048.0 g.
State of preservation: one of the pictures is broken, the base layer is
creased
- Chalice, gilded, with beaded filigree tracery on the body and four
oval enamel images in radiating light made of glass elements. Stem in
the form of a baluster and pedestal with four rectangular images framed
in glass elements. Base is chased, with the heads of cherubs. Along the
edge of the chalice and on the stem are the hallmarks: ÀË; ÍÄ; ....; 84
and the emblem of the city of Moscow
First half of the 19th century.
Silver, enamel, glass, gilding, chasing
34.5õ18.0õ18.0
1256.0 g.
- Chalice, gilded, with beaded filigree tracery on the body, four oval
enamel images framed in glass elements, a stem in the shape of a chased
baluster. On the pedestal there are enamel images in the same kind of
frames in the shape of a trapeze; on the base, there is chased ornamentation
and a gift inscription of 1845. At the edge of the chalice and on the
stem are the hallmarks ÀÊ; ÊË; 84 and the emblem of the city of Moscow
with the date "43"
1843.
Silver, enamel, glass, gilding
28.5õ18.5õ18.5
905.5 g.
- Chalice, gilded, body covered in tracery with four images in oval
frames made of garnets. On the base are four images in rectangular frames
made of granites. Fastened together with a copper screw and nut. At the
edge of the chalice are 4 hallmarks: ÄÒ 1841; 84; ÌÁ; and the emblem of
the city of St Petersburg
Middle of the 19th century.
Silver, enamel, garnets, gilding, chasing
29.5õ16.5õ16.5
1010.0 g.
- Gold clock, in the form of a lady bird with red and black enamel,
with two chrysolites and three roses. The clock face is under the wings.
Under the lower cover is a medallion with a photograph under glass.
Second half of the 19th century
Gold, brass, steel, glass, enamel, chrysolites
6.1õ3.0õ1.7
4.01 g.
- Image of John the Baptist on tin. Rounded from above, with silver
frame and blue and red enamel topped off by a cross. From the back panel
an insert of stretched red velvet. Three hallmarks: Õëåáíèêîâú; in the
oval - 88 assay silver and the emblem of the city of St Petersburg,
plus a two-headed eagle.
Late 19th century.
Silver, tin, enamel, velvet, carton.
18.0õ9.1
161.60 g.
State of preservation: the velvet is torn
- Frame of white maple in the form of a trapeze with two enamel panels
with roses and pale blue ribbons. Under glass, in gilded silver mounting.
A photograph of a girl under glass.
Early 19th century
Silver, enamel, glass
19.0õ12.5
291.6 g.
State of preservation: flaws, chips, scratches, abrasions in places, dimness
of enamel
- Powder box with round lid, silver, gilded, with white enamel. On
the lid there is a small gilded ornament with stars.
Early 20th century
Silver, enamel
2.0õ5.3õ5.3
60.5 g.
State of preservation: abrasions
- Powder box with lid, round, silver, gilded with pale blue enamel
and patterned fascia.
Early 20th century
Silver, enamel
2.4õ7.8õ7.8
142.93
- Icon on wood of Our Lady of Tikhvin, in silver carved setting (oklad)
with gilding. With aureole; on the aureole, copper nails and tin solder.
The icon is set with raspberry colored velvet. Four hallmarks: ÏÅÃ; ÈÅ
1878; 84 and emblem of the city of St Petersburg
1878
Silver, wood, velvet, copper, tin, carving, engraving, painting
15.3õ11.0
306.2 g.
- Icon on wood of St. Nina in silver frame decorated with volutes on
a pale blue enamel with blue crosses on a white background. In the corners
there are 4 quartz stones in clusters. Silver aureole, gilded, with 3
quartz elements. On the reverse, on red satin, there is a gilded silver
panel with engraved inscription and dates: "1860-1910". There
are two hallmarks: ÊÊ and, in an oval, a depiction of a framed female
head in profile and the mark for 84 assay silver.
1910.
Silver, wood, quartz, enamel, satin, painting, engraving
13.3õ7.7
184.7 g.
- Icon on wood of Our Lady of Tender Emotion (Umilenie). Riza with
sewn on pearl tracery and semiprecious stones from the Urals. Gilded silver
setting (oklad) with chased rocaille ornamentation. Aureole and five colored
glass elements. The back panel covered in red velvet.
1770.
Silver, wood, pearls, semiprecious stones from the Urals, glass, velvet,
chasing, painting
32.0õ27.2
1558.0 g.
State of preservation: painting is damaged; two empty clusters on the
riza; setting is torn in three places on the side.
- Icon on wood of the Virgin Mary in a gilded silver frame with chased
rosettes, palmettes and gemstones along the corners. In the aureole there
are four amethysts. On the reverse, a rose colored brocade and silver
plaque with gift inscription to P.S. Sheremetiev. On the setting there
are two hallmarks: ÊÊ and in an oval, the depiction of a woman's head
in profile, and the sign of 84 assay silver.
1915.
Silver, wood, amethysts, semiprecious stones, brocade, chasing, painting
31.7õ27.4
1757.0 g.
State of preservation: painting slightly scratched
- Icon on wood of St Nicholas the Miracle Worker. Green chased setting
(oklad), with three amethysts on the miter and a string of glass elements
in the aureole. The riza is sewn with natural and artificial pearls and
with colored glass set in silver.
First half of the 19th century.
Silver, pearls, wood, amethysts, enamel, glass, chasing, painting.
31.5õ26.5
Setting: 415.5 g
Riza 22.4õ16.5
109.35 g.
State of preservation: painting is severely damaged; in the lower corner
of the miter the lower part in glass inserts, the sewing is torn, pearls
and beads have dislodged, the frame is dented and torn on the sides.
- Icon on wood of the Virgin Mary in gilded chased silver setting (oklad)
with floral ornamentation. On the aureole there are the heads of cherubs.
On the reverse, there is rose colored velvet
18th century.
Silver, wood, velvet, chasing, painting.
31.5õ27.0
Setting: 467.0 g.
State of preservation: edges of the frame are dented, painting is damaged
- Icon on wood of the Savior Nerukotvorny ("Not Made by Human
Hands") in a gilded silver setting (oklad) with red, pale blue and
white enamel on the edges and on the aureole. Framed. On the reverse side,
raspberry colored velvet, on which there is a gilded silver plaque with
gift inscription to P. P. Shuvalov dated 4 June 1875. Four hallmarks:
Ï. ÎÂ×ÈÍÍÈÊÎÂÚ; 84; ÀÑ1873 and the emblem of the city of Moscow.
1873.
Silver, pearls, enamel, wood, chasing, painting
30.4õ26.8
1372.7 g.
State of preservation: Setting has been disassembled into parts and the
frame and plaque are separate.
- Icon on wood of Christ the Almighty, in a gilded chased silver setting
(oklad) with aureole. In the aureole there is a rectangular plaque with
glass elements and aquamarine. On the reverse side there is red velvet.
On the setting there are 4 hallmarks: Ì:Ñ; Àß; 84 and the emblem of the
city of Moscow with the date "1816"
1816.
Silver, glass, aquamarine, wood, chasing, painting
31.3õ25.8
365.8 g.
State of preservation: aureole is broken, the frame is dented, the painting
is damaged.
- Icon on wood of Our Lady of Vladimir, in a gilded chased silver setting
(oklad), with inscription in niello below and an aureole. On the aureole
there is a crown with rosette of glass elements. On the reverse, there
is red velvet. Three hallmarks: Àß; 84 and the emblem of St Petersburg
with the date "1827"
1827.
Silver, wood, glass, velvet, niello
31.3õ26.0
Setting: 401.2 g.
State of preservation: edges of the frame and aureole are dented, on the
head and shoulder there are two holes where inserts are missing; the velvet
is torn at the edges; the wooden board has bent out of shape.
- Icon on wood of the Virgin Mary, Joy of all those who Grieve. In
silver chased setting (oklad) with edge in the form of a braid and gilded
aureole. 4 hallmarks: ÀÏ; 84; ÏÄ1866 and a rectangular seal with depiction
of a shield and the date "1865"
1865.
Silver, wood, velvet, chasing
31.5õ27.5
Setting: 438 g.
State of preservation: Edge of the frame is dented, velvet is torn, and
the wooden plank has bent out of shape
- Icon on wood of Christ the Almighty in a gilded silver setting (oklad)
with aureole and with inscriptions on white enamel. On the reverse side
there is rose moire. Four hallmarks: ÍÄ 1824; MIT; 84 and the emblem of
the city of Moscow
1824.
Silver, enamel, wood, silk, chasing, painting
32.0õ27.2
Setting: 455.0 g.
State of preservation: Corners of the frame are dented; one enamel plaque
is broken; the silk is torn; the painting is damaged.
- Icon on wood of Christ, in a smooth silver setting (oklad) with gilding
and with chased clothing. The aureole has colored enamel. On the reverse
side there is red velvet. It is stored in a pale oak case on white satin.
Along the edge of the setting there is the inscription - 1915. On the
setting there are two hallmarks: 7À and in an oval there is a depiction
of a woman's head in profile to the right and the 84 silver assay mark.
1915.
Silver, enamel, wood
27.0õ22.5
Setting: 197.6 g.
State of preservation:: the clothing, setting and aureole have separated,
the setting is dented
- Icon on wood of Our Lady of Kazan with aureole, colored enamel and
filigree riza. On the reverse side there is red velvet and a panel with
engraved inscription about the donation of the icon by E.V. Shuvalova
on 12 June 1899.
1899.
Silver, enamel, filigree, wood, velvet
31.2õ26.8
Setting: 570.0 g.
State of preservation: the painting is damaged; the plaque is bent; the
edges of the setting are bent; the setting has holes from two missing
inserts.
- Sugar bowl, oval, gilded, in the shape of a wicker basket with two
handles. On four tracery legs made of wire. On the sugar bowl a napkin
seems to lie, with fringe and design imitating a material design made
and made from whitened silver. Fastened to the basket is a rectangular
panel with the engraved initials "Ô:ÑÁ" and the date "1865
XXV 1890 1 January." On the handles there are traces of two hallmarks:
"Ë" and the emblem of the city of Moscow.
Circa 1889.
Silver (875 assay), stamped and engraved
7.1õ34.1õ24.7
673.0 g.
State of preservation: slightly bent
- Goblet in the form of a tree whose crown contains a cup. The base
has the shape of a hill with an outline decorated with grass and flowers.
The cup is gilded inside; along its rim there is a ribbon with engraved
inscription in German and with 3 shields affixed containing engraved coats
of arms. Four hallmarks: 84, ... 1855, the mark on the bottom is illegible
1855.
Silver (875), chasing, engraving
22.2õ15.0
1040.1 g.
State of preservation: on the base two holes were drilled.
- Sugar bowl, silver, oval with shaped rim. Stands on four legs. Has
a reversible intricate handle, decorated with chased ornamentation consisting
of intertwined volutes and leaves
Silver (875); chasing, carving
14.1õ31.5õ27.1
1264.2 g.
State of preservation: oxidation present
- Chalice with enamel, silver, on a stem, round in cross-section. Inside
and partially outside gilded with stylized vegetal ornamentation made
from multicolored enamel: pale blue, green, white and rose. With the engraved
initials ÎÌÌ and date 19 IV 1911. On the bottom there are two hallmarks:
[Ï.ÎÂ×ÈÍÍÈÊÎÂ] and in an oval, the silver assay mark 84 and depiction
of a woman's head
1911.
Silver (875), enamel; cloisonne enamel
6.6õ11.6
217.66 g.
- Chalice, gilded silver, with four enamel medallions depicting the
Virgin Mary, Jesus Christ, John the Baptist and Jesus Christ, surrounded
by frames made of colorless glass elements. Between the depictions there
are inserted flower garlands and the heads of cherubs. On the upper edge
of the chalice there is an engraved inscription. The lower part is decorated
with floral and leafy ornamentation in relief. The stem is in the shape
of a baluster with floral ornamentation in relief. On the lower part of
the stem there are four enamel inserts with depiction of the Last Supper,
Jesus Christ and two apostles at the table, the prayer over the chalice,
the bearing of the cross and the deposition in the tomb. The base is decorated
with a cluster of grapes and four heads of cherubs, as well as a fascia
of leafy ornamentation. Along the edge of the chalice there are 4 hallmarks:
[ÏÃ]; [ÍÄ/1824]; [84] and the emblem of the city of Moscow
1824.
Silver (875), enamel, glass; chasing, engraving
39.1õ20.5õ14.1
1490.5 g.
State of preservation: edges of the base are dented; there is an empty
cluster
- Cross - reliquary, gilded silver, four-pointed with multi-blade extensions
at the ends and handles. On the obverse, chased depictions of the Crucifixion
with pearl and carved Urals gems in setting around the aureole, the Last
Supper, the Descent from the Cross, the deposition in the tomb, the procession
to hell. On the handle is the instrument of the Passion. On the reverse
side there are cartouches in relief with engraved inscriptions. On the
handle there is the hallmark "ÂËÑ"
1685 - 1694.
Silver (750), pearls
41.5õ24.5õ2.8
1138.0 g.
State of preservation: gilding worn in places; there are two empty clusters
in the aureole; the pearls and not well fixed
- Cross - reliquary, gilded silver, four-pointed with three-blade extensions
at the ends and at the handle. On the obverse there are five seals and
a cross with depiction in niello of the Crucifixion and saints, God the
Father, the skull and bones. Along the edge the cross is outlined in low
pearl and green glass elements. The reverse side of the cross is smooth.
On its sides there are engraved inscriptions. On the cross there are three
hallmarks: 1793/ÀÒ, ÀÎÏ, and the emblem of the city of Moscow
1793.
Silver (875), pearls, glass, wood; carving, niello, engraving
38.0õ22.0õ2.8
1200.0 g.
State of preservation: in the upper part of the cross, pearls are missing
- Cross - reliquary, gilded silver, four-pointed with multi-blade extensions
at the ends and at the handle. On the obverse there are four insert seals
with niello depictions of the Crucifixion, God the Father and the Apostle
Paul. Below on the handle there are chased depictions of the instruments
of the Passion. On the reverse there is chased stylized floral ornamentation
with pearl strings along a karfan-treated metal background. Three hallmarks:
ÀÎ/Ï, À.Ò. and the emblem of the city of Moscow with the date 1797
1797.
Silver (875); chasing, engraving, niello
37.2õ23.2õ2.0
666.6 g.
State of preservation: dented, bent, niello and gilding are worn
- Cross - reliquary, gilded silver, four-pointed with three-blade extensions
on three ends and an extension on the handle. On the obverse there is
a relief depiction of the Crucifixion and saints, God the Father and the
instruments of the Passion. On the reverse side there are five round seals
with engraved inscriptions; a background of curling bas relief vegetal
ornamentation. Inside there is a wooden cross. Two hallmarks: [AR] and
the emblem of the city of Moscow with the date 1743.
1743.
Silver (750), wood; chasing, engraving
31.2õ18.0õ2.0
469.0 g.
State of preservation: gilding is worn, slightly dented, scratched
- Cross - reliquary, gilded silver, four-pointed with three-blade extensions
at the ends and at the handle. On the obverse, there is an inserted enamel
four-point (Orthodox) cross on copper with depiction of the Crucifixion.
Along the sides and above there are three enamel images with depiction
of saints and God the Father surrounded by frames made of colorless glass
elements with crowns above. On the handle there is a round enamel surface
depicting a skull and bones and the prayer over the chalice, as well as
rounded frames made of colorless glass. On the reverse side, in the center
is an engraved depiction of the cross. Three hallmarks: [ÌÊ], [84], [1807]
1807.
Silver (875), enamel, glass, copper; chasing, engraving
40.0õ25.0õ1.5
827.8 g.
State of preservation: on the cross and two enamel medallions, the enamel
is damaged - chipped and cracked; 23 clusters are empty
- Silver cross, four-pointed with three-blade extensions at the ends,
on a rectangular pedestal over a stepped base. The cross and the pedestal
have a floral design and are covered in multicolored enamel. The cross
and pedestal carry depictions of the Crucifixion, skull and bones and
the four Evangelists; carved, made of bone, at three ends of the cross
there are three amethysts each in round clusters, with rays in the middle
of the cross having three aquamarines each. Under the Crucifixion there
is an oval medallion of enamel depicting the Madonna. The pedestal is
decorated with a turquoise, amethysts, almandines, chrysolites, garnets
and two twigs made of malachite; in the bottom, a small copper plate on
wooden foundation with engraved inscription. In the black leather case,
the inside is lined with velvet and silk
19th century.
Silver (750), gemstones, copper, wood; chasing, carving, engraving
24.1õ9.3
Net weight = 120.0 g.
Gross Weight = 204.0 g.
State of preservation: the plate at the bottom of the pedestal is falling
off; the leather on the case is worn and torn
- Cross - reliquary, gilded silver, four-pointed (Orthodox) with three-blade
extensions at three ends and handles, with shaped lower end. On the obverse
there is a cast Crucifixion. On the sides, a bas relief depiction of saints.
At the upper end - God the Father and the Holy Spirit. Below, the procession
into hell and a full-length depiction of St Jacob. At the middle of the
cross, there are openwork vegetal volutes. On the reverse, there are five
rhomboid seals surrounded by an ornamentation consisting of crowns and
flowers with leaves. Along the background there are engraved inscriptions
showing the date and ownership of the cross. Along the edge there is a
free-form fascia made of pearls. Inside there is a wooden cross.
Silver (750), wood; chasing, casting, engraving
37.5õ20.5õ1.7
782.0 g.
State of preservation: worn, slightly dented
- Chalice, gilded silver. The cup is smooth and has a bent rim and
openwork housing. The stem is shaped like a baluster. The base is round
and convex. The housing has the shape of a squamosal net with pearl along
the upper edge, with four oval filigree parts depicting the Crucifixion,
the Virgin Mary, Jesus Christ and John the Baptist. The stem has been
chased with a design of narrow shallow indentations. On the base are four
filigree oval sections with depictions of the Prayer over the chalice,
the bearing of the cross, Pilate's judgment and the flagellation. Between
the medallions are the chased heads of cherubs and garlands of leaves
and flowers. At the bottom of the base are three hallmarks: ÀÎÏ, [ßÌ]
and the emblem of the city of Moscow with the date 1780
1780.
Silver (875), enamel; forging, chasing, carving, painting
31.5õ12.9õ19.5
1266.0 g.
State of preservation: lower part of the housing and edge of the base
are bent; gilding inside is worn and scratched
- Chalice, gilded silver. There is a double cup with turned-up rim.
The stem has the shape of three female figures. The base is funnel-shaped.
The first cup is smooth, with superimposed fascia consisting of palmettos;
decorated with turquoise and colorless glass. The second cup has three
bas relief depictions of Jesus Christ, John the Baptist and the Virgin
Mary surrounded by oval frames made of colorless glass; and between the
medallions there are two bas relief garlands of flowers, and heads of
cherubs below. Between the stem and the cup there is a connecting rosette
and plug. On the base are three bas relief scenes: two with depictions
of the Crucifixion and one of the descent from the cross. Between the
depictions are three rows of lilac-colored glass surrounded by turquoises.
Four hallmarks: [ÍÄ/1824], [ÌÎ], [84] and the emblem of the city of Moscow
1824.
Silver (875), gemstones, glass; casting, forging, carving, chasing
40.3õ15.3õ21.3
2518.0 g.
State of preservation: the fascia of palmettos is broken into four parts;
many of the clusters are missing glass elements and two clusters are missing
turquoises; on the base one cluster is empty; a cup has come loose
- Chalice, gilded silver. The cup is smooth, with turned-up rim and
openwork gilded housing. The stem has the shape of a baluster. The base
is rounded and convex. The housing has the shape of intertwined rocaille
volutes, with four enamel sections depicting the Crucifixion, the Virgin
Mary, Jesus Christ and John the Baptist. The stem is cast with four convex
parts. On the base are four enamel oval areas depicting the prayer over
the chalice, the bearing of the cross and two scenes of flagellation;
between the medallions there is a chased rocaille ornamentation and under
the medallions there are flowers which alternate with carved cartouches
containing the carved inscriptions: "ñåé ñîñóä çäåëàí ùàíèåì ñûçðàíñêîãî
êóïöà Ôåäîðà Ïåòðîâà ñûíà Ïàíîâà... 1773 ãîäó ìàðòà 10 äíÿ..." ("this
vessel was made for ...the merchant Fedor Petrov, son of Panov...1773
March 10"). The hallmarks are "ÆÐ" and the date "1772."
The other hallmarks are illegible.
1772.
Silver (750), enamel; forging, casting, chasing, carving, painting
30.0õ13.0õ17.8
1232.2 g.
State of preservation: the chalice is bent and dented, three sections
are chipped, three have cracks
- Cross, gilded, four-pointed (Orthodox) with cast Crucifixion and
crown of roses, on a silver cross with dark blue enamel on the obverse
and ruby on the reverse. The housing of the cross is made of jasper in
oval gilded frames with carinate top and inserts of roses and four rubies.
In the upper part is a crown with roses; in the lower part, a pendant
in the form of shield with a large ruby in the center and roses along
the sides. In the middle of the cross there are rays of roses and four
rubies along the corners. All the frames of roses are silver. Two hallmarks:
"ÍÈ" and in a circle the depiction of a male head in profile
to the right
19th century.
Gold 583 = 50.75 g; silver 875 = 20.0 g.; 109 roses, 10 rubies, jasper
15.7õ8.7
79.9 g.
State of preservation: the cross with crucifixion comes off; part of the
roses are heavily soiled
- Chalice, gilded silver. Cup with turned-up rim. Faceted stem. The
upper part of the base is faceted; the lower part is funnel-shaped. The
cup is fitted with an openwork housing of flowers, leaves and palmettos.
On the housing are four oval enamel medallions depicting Jesus Christ,
the Virgin Mary, Jesus Christ and John the Baptist. The medallions are
surrounded by frames made of uncolored glass with ribbons above. On the
facets of the stem there are convex edges. On the upper part of the base
there are four rectangular enamel overlays depicting the prayer over the
chalice, the deposition in the tomb, the bearing of the cross, and Christ
in prison. The overlay is surrounded with frames of colorless glass with
ribbons above. The base is decorated with two fascia of chased ornamentation:
alternating heads of cherubs and baskets of flowers, as well as a fascia
consisting of flowers and leaves. On the base there are 4 hallmarks: ÍÄ/1882,
ÌÎ, 84 and the emblem of the city of Moscow. On the cup there the 4 hallmarks:
ÈÀ, ÂÑ/1884, and the emblem of the city of Moscow.
Base - 1882, cup - 1884.
Silver (875), enamel, glass
36.5õ13.5õ20.0
1210.0 g.
State of preservation: base is dented; there are empty clusters
- Chalice, gilded silver. Cup with turned-up rim. The stem has the
shape of a round sphere with six-pointed stars and with sheaves of grain
emerging from it gathered by a ribbon and pointed down from the cup. The
base is funnel-shaped. The cup is decorated with overlaid symbols of the
Evangelists, with clusters of grapes and enamel medallions surrounded
by frames made of colorless glass and depicting Jesus Christ, the Virgin
Mary, Jesus Christ and John the Baptist. Along the upper edge there is
a fascia of amethysts. On the base are four enamel plates surrounded by
frames made of colorless glass depicting the prayer over the chalice,
Christ amidst the brigands, the Crucifixion, the deposition in the tomb;
and between the plates are bas relief heads of six-winged seraphims. Along
the edge of the base and on the bottom there is an engraved inscription
explaining that the chalice was donated to the Iversky Monastery. On the
base are four hallmarks: ÍÄ/1830, ÌÎ, 84 and the emblem of the city of
Moscow
1830.
Silver (875), enamel, glass, chasing, carving, engraving, amethysts
39.2õ14.7õ19.3
1862.0 g.
State of preservation:: on the cup one medallion has come off (saved separately);
on another medallion nearly all the enamel is broken; one is chipped;
the edges of the base are dented; on the base the frame with glass has
come off; many of the clusters are empty; three amethysts are missing
- eight are present but they fall out of the clusters; enamel on copper
- Chalice, gilded silver. The cup has three oval enamel medallions
in frames made of glass and depicting Jesus Christ, the Virgin Mary and
John the Baptist; between the medallions are overlaid garlands of roses
and on the upper edge there is a cluster of grapes made from colorless
glass. The stem has the shape of three female figures. The base is funnel-shaped,
with an upper part in the shape of a flattened sphere decorated with three
eight-sided enamel plates surrounded by frames of colorless glass and
depicting the Last Supper, the prayer over the chalice and the bearing
of the cross, between which are rosettes of colorless glass. On the base
there are three bas relief scenes: the Crucifixion, the descent from the
cross, the deposition in the tomb. Between the depicitons there is a strip
of colorless glass with four inserts made of amethysts. Four hallmarks:
"ÂÌ", "ÍÀ/1829", "84" and the emblem of
the city of Moscow. Enamel on copper
1829.
Silver (875), enamel, glass, amethyst; chasing, engraving, carving, copper
41.0õ14.4õ22.0
2588.0 g.
State of preservation: there are empty clusters missing glass; three amethysts
are missing; three enamel inserts are chipped and cracked; the chalice
is shaky; enamel on copper
- Icon on wood of Our Lady of Kazan, in a silver, largely gilded setting
(oklad), with silver openwork aureole. The edge of the setting has the
shape of a frame with chased geometric ornamentation. Along the four corners
are bas relief bouquets of roses and other flowers. The back side of the
icon is fitted with a raspberry colored silk. On the silver oklad there
are 4 hallmarks: "ÀÊ/1879", "ÀÌ", "84" and
the emblem of the city of Moscow
1879.
Silver, wood, silk; painting, chasing, engraving
26.5õ22.0
851.0 g.
- Icon on wood of the Archangel Gabriel in solid silver setting (oklad)
with chased full-length depiction of the Archangel Gabriel and in the
upper left corner, Jesus Christ in the clouds; with two gilded silver
aureoles in the form of radiating light. The edges of the setting have
the shape of a frame with bas relief palmettos and rosettes of flowers.
The back side of the panel is covered with brown velvet. On the silver
oklad there are 4 hallmarks: "ÍÔ", "ÌÊ/1834", "84"
and the emblem of the city of Petersburg
1834.
Silver, wood, painting, stamping
31.0õ26.0
1180.7 g.
- Icon on wood of Our Lady of Smolensk, in a gilded silver setting
(oklad) with red glass in a cluster. Along the edge of the frame there
is chased ornamentation in the form of palmettos. The back side of the
icon is covered with red velvet.
19th century
Silver, wood, velvet, chasing, painting
32.0õ28.0
1946.0 g.
State of preservation: on the dress there are two clusters missing elements;
the setting is dented; rays of the aureole are bent and partly broken;
the painting has been damaged
- Icon on wood of the Saint Prince Vsevolod in gilded silver chased
setting (oklad) with golden aureole. Depicted full length in an ermine
mantle, with armor on the left. Along the edge of the frame there are
overlays along the corners. Four hallmarks: "ÌÊ/1826", "ÏÁ",
"84" and the emblem of the city of Petersburg.
1826.
Silver, wood; chasing, carving, painting
27.0õ20.5
979.0 g.
State of preservation: on the setting below there is an insert missing
as well as part of the inset decoration on the frame
- Icon on wood of John the Much-Suffering in solid silver, gilded and
chased setting (oklad) with golden aureole. In the upper part are bas
relief figures of three angels. Along the edge there is ornamentation
consisting of vases and flowers as well as a fascia of mother of pearl;
the background is kanfar-technique metalwork. There are 4 hallmarks: ÀÎÏ,
"1793/ÀÒ", "1.1" and the emblem of the city of Moscow.
1793.
Silver, wood, chasing, painting.
31.0õ26.0
1413.0 g.
State of preservation: wooden board has cracked
- Icon on wood of Christ the Almighty in gilded silver setting (oklad),
with chased riza and frame. The background of the setting is decorated
with small faceted vegetal ornamentation. The aureole and corners of the
frame are covered with multicolored enamel. The back of the icon is covered
with velvet. On the silver setting there are 4 hallmarks: "Ï.ÎÂ×ÈÍÍÈÊÎÂ"
and the two-headed eagle, "ÀÀ/1893", 84 and the emblem of the
city of Moscow.
1893
Silver, wood, enamel, velvet; painting, chasing, engraving, enamel.
31.0õ26.0
1500.0 g.
- Icon on wood of Christ the Almighty in a gilded silver setting (oklad),
with golden aureole. Along the sides there are depictions of two saints.
Along the corners there is large rocaille ornamentation. The face is covered
with mica. The back is covered with calico. Four hallmarks: "ÑÏ",
"IC", ËΘ and the emblem of the city of Moscow.
Late 18th century.
Silver, wood, mica; painting, chasing
31.5õ26.0
1371.0 g.
State of preservation: the wooden board has bent; one slat is coming off;
the edges of the setting are dented and the upper part is torn.
- Icon on wood of Our Lady of Kazan in gilded silver setting (oklad)
and with golden aureole, decorated with beading and turquoise. The frame
and background are decorated. The aureole consists of palmettos alternating
with six-winged seraphims. Along the edges are two angels. The back of
the icon is covered in silk.
19th century.
Silver, wood, turquoises; painting, chasing, beading.
35.0õ28.0
1745.0 g.
State of preservation: edges of the setting are dented, torn, and parts
of the lower edge are missing; in the upper part the aureole is coming
off; one cluster of turquoises is empty; the silk is cut
- Icon on wood of Our Lady of Kazan in gilded silver setting (oklad),
decorated with bas relief rocaille ornamentation and with gilded aureole
in the shape of rays. The back of the icon is covered in raspberry colored
velvet. Four hallmarks: "ÄÒ/1843", "ÊÔ", "84"
and the emblem of the city of Petersburg.
1843.
Silver, wood, velvet; chasing, painting.
32.0õ27.0
1376.0 ã.
State of preservation: aureole is dented, ends are partly broken; painting
has been damaged.
- Icon on wood of Christ the Almighty in gilded silver setting (oklad)
with gilded aureole in the form of rays. The oklad and aureole are decorated
with overlaid enamel sections with inscriptions. Along the edge of the
setting, frames made of bas relief vegetal ornamentation. The back is
covered in silk. The silver setting has 4 hallmarks: "ÍÀ/1837",
"ÔÂ", "84" and the emblem of the city of Moscow.
1837.
Silver, wood, enamel, silk; chasing, painting.
31.0õ26.0
1378.0 g.
State of preservation: one enamel insert on the aureole is missing; the
painting has been damaged; the silk is cut.
- Silver charm-frame, rectangular with faceted ornamentation, with
handle and ring, with oval photograph of a portrait of Peter the Great.
The handle has two hallmarks: [84], [ÃÐ]
Late 19th century.
Silver, paper, mica, engraving
2.6õ1.7
2.06 g.
78. Silver pitcher (kungan) with hinged lid, heavily incrusted with turquoise.
Shaped handle made of ivory.
Silver, turquoises, bone; forging, inlay work
28.3õ14.0õ11.0
Gross weight = 795.0 g.
Net weight = 700.0 g.
State of preservation: the turquoises have fallen out in places and there
are empty clusters; part of the turquoise has been damaged.
- Egg-shaped charm made of red glass in gilded silver openwork basket
with glass bottom, with a leaf of clover, on a gilded silver ringlet,
with hallmark of 84 grade silver and woman's head in profile
Late 19th century.
Silver (875)
1.9õ1.1
3.52 g
- Cross - reliquary, wooden, eight-pointed, in gilded silver frame
in the same shape. On the cross there is a painted depiction of the Crucifixion
with saints. Under mica in a frame on the obverse is an engraved ornament;
on the reverse, a silver cross. There are two hallmarks: "ÊÊ"
and in a circle the depiction of a male head in profile facing right
Late 19th century
Silver (875), wood, mica, painting
1.0õ22.3õ11.4
212.1 g.
- Icon on wood, rectangular, with painted depiction of Our Lady of
Georgia, in a gilded silver setting (obramlenie) with engraved ornamentation.
The frames and aureole are decorated with multicolored cloisonne enamel.
The riza is sewn with kafim pearls. On the reverse is an engraved inscription
and the signatures of four of Maria Fedorovna's ladies in waiting with
the date "10 May 1883."
1883.
Silver (875), enamel, kafim pearls - 20 g., wood
9.5õ8.1
187.9 g.
- Icon with depiction of the Virgin Mary. A bas relief silver engraved
riza with two stars and a similar aureole. Decorated on the edges with
red and green enamel. Background is silver, gilded, engraved, with overlaid
letters on the sides. In a gilded silver shaped setting (obramlenie).
Decorated with multicolored enamel and the inscription: "îòðàäà,
óòåøåíèå ..." ("joy, comfort"). Above, there is a movable
shaped handle. The reverse side is smooth, gilded and has two hallmarks:
in an oval, the depiction of a woman's head in profile facing to the right
and 84 silver assay mark, and part of a hallmark with the letter "À".
Late 19th century.
Silver (875), enamel
12.3õ8.3
242.7 g.
- Icon on wood, triptych with painted depiction of Our Lady of Kazan
and two Archangels, under mica, in a silver frame with bas relief of vegetal
ornamentation and with six gemstones in clusters: two emeralds, a ruby,
two aquamarines and a rose tourmaline. On the frame there are two hallmarks:
"ÊÊ" and "84".
Late 19th century.
Silver (875°), wood, 2 emeralds = 3 carats.; 1 ruby = 3/4 carat; tourmaline,
aquamarines, brocade, mica.
9.3õ11.4
125.8 g.
- Icon on wood, semi-oval, with painting depicting St Panteleimon,
in gilded silver frame with ornamentation of cloisonne enamel in pale
tones. On the reverse, a silver plaque with engraved inscription. On the
frame are two hallmarks: "Ï.ÎÂ×ÈÍÍÈÊÎÂ" and in an oval hallmark
"84", plus a depiction of a head in profile facing left.
Late 19th century
Silver (875°), enamel, wood, painting, engraving.
16.8õ10.8
445.0 g.
- Icon on wood of Our Lady of Kazan, in a silver frame and with a silver
aureole and openwork crown decorated with cloisonne enamel of white, light
blue, green and dark blue tones. Along the corners there are four ring
pendants in the shape of clusters of grapes from seven pearls with three
gilded leaves. The back of the icon is covered with material.
Silver ( 875°), enamel, wood, painting, chasing, filigree.
13.0õ10.0
200.0 g.
State of preservation: corners of the frame are damaged, torn; in places
the enamel has crumbled; pendants have separated from the icon and on
two of them a silver part is missing; one pendant is missing a pearl.
- Icon of The Almighty Lord in gilded silver setting (oklad), with
silver filigree riza, silver aureole, decorated with cloisonne multicolored
enamel. The frame is decorated with bas relief vegetal ornamentation.
The back side is covered in red velvet.
2nd half of the 19th century
Silver (875°), wood, enamel, velvet, painting; chasing.
23.3õ17.8
818.5 g.
- Icon on wood depicting Our Lady of Kazan, completely covered by a
silver setting (oklad), decorated with cloisonne multicolored enamel with
floral ornamentation and with a similar aureole with crown and tsata decoration.
Along the corners are overlaid sections in the shape of tulips. The back
side is covered in raspberry colored velvet. There are 4 hallmarks on
the oklad: "ÂÑ", "ÀÀ/1894", "84" and the
emblem of the city of Moscow.
1894.
Silver (875°), enamel, wood, painting, cloisonne enamel.
22.7õ18.3
1370.0 g.
State of preservation: enamel is damaged, rubbed, two inserts along the
corners have been lost; pendants from the tsata are kept separately and
parts of two of them have been lost.
- Icon on wood with depiction of the Ozerianskaya Virgin Mary with
Child in a gilded silver setting (oklad), with bas relief oxidized silver
riza with overlaid double aureole and crown of multicolored cloisonne
enamel bearing silver inscriptions and letters in dark blue enamel. The
back side is covered with raspberry colored velvet. On the oklad there
are 2 hallmarks: "ÑÃ" and the 84 silver assay mark in an oval,
as well as a depiction of a woman's head in profile looking to the right.
Second half of the 19th century
Silver (875°), enamel, wood, velvet, painting.
26.6õ22.0
1052.0 g.
State of preservation: edges of the setting are dented.
- Icon on wood of Lord the Almighty in a partially gilded, chased silver
setting (oklad) covering the surface except for openings for the face
and hands. Gilded silver aureole. Decorated with multicolored cloisonne
enamel. On the corners of the long sides of the oklad are shaped gilded
silver overlaid sections with the same multicolored enamel. Below there
is a silver plaque with inscription in dark blue enamel, and a similar
inscription on the Evangel. The back side is covered with raspberry colored
satin. On the oklad there are 2 hallmarks: "ÑÊ" and in a rectangle
the 84 silver assay and the emblem of the city of Moscow.
Late 19th century.
Silver (875°), enamel, wood, silk, painting, chasing, engraving.
31.0õ26.9
1535.0 g.
- Icon on wood of the Sign of Our Lady, in a gilded silver filigree
setting (oklad) and in a smooth gilded silver frame, with two overlaid
silver aureoles. On the aureole of Our Lady there are two framed aquamarines
and an amethyst. On the oklad there are four overlaid gilded silver plaques
in the shape of triangles, decorated with four gemstones in frames: emerald,
tourmaline, aquamarine and amethyst. The back side of the icon is covered
in red brocade bearing a silver drawing. On the frame are two hallmarks:
"ÊÊ" and in an oval, the depiction of a woman's head.
Silver (875°), wood, brocade, l emerald = 10 carats., 3 aquamarines,
2 amethysts., 1 tourmaline, painting, filigree.
31.3õ26.7
1438.0 g.
State of preservation: gilding is worn, frame is dented, brocade is cut.
- Icon on wood with depiction of Our Lady of Kazan in double smooth
gilded aureole with crown, decorated with two amethysts and four aquamarines.
In the gilded silver frame an enamel pattern in the shape of small green
leaves lined up in two rows and separated by a gold band placed aslant.
In the corners and middle of each side of the frame are eight round overlaid
sections with blue enamel alternating with a golden pattern and white
eagles. The back side of the icon is covered in lilac-colored velvet.
On there frame there are two hallmarks: "ÄÎ" and in an oval,
the depiction of a woman's head in profile facing right and the assay
mark 84.
Late 19th century.
Silver (875°), enamel, wood, 2 amethysts, 4 aquamarines, velvet, painting,
cloisonne enamel.
26.7õ22.2
1058.0 g.
State of preservation: small scratches on the lacquer; on the aureole
and crown there are four holes for missing decorations; edges of the setting
are dented; velvet is worn
- Icon on wood of Our Lady of Vladimir. Waist-length depiction. In
a gilded silver frame with bas relief vegetal ornamentation. The corners
and the middle of the sides of the frame are decorated with overlays of
multicolored cloisonne enamel. The back side of the icon is covered in
lilac-colored velvet. On the frame there are two hallmarks: "À.ÊÓÇÌÈ×ÅÂÚ"
and in an oval the silver assay mark 84, and the depiction of a woman's
head facing to the left.
Late 19th century.
Silver (875°), enamel, wood, velvet, cloisonne enamel, painting.
31.2õ26.8
2070.0 g.
State of preservation: lacquer is cracked; edges of the frame are bent
- Icon in wood of the Holy Trinity, in gilded and chased silver setting
(oklad), with three silver and multicolored enamel aureoles and three
gilded staffs. In a gilded silver frame with rounded top inside. Decorated
with multicolored cloisonne enamel. Three overlaid round badges in the
corners. The back side of the icon is covered in lilac-colored velvet
with an attached gilded silver plaque with inscription in blue enamel.
On the frame are two hallmarks: "ÃÌ", "Ã.ÌÅØÊÎÂÚ"
and in an oval, the 84 silver assay mark and depiction of a woman's head
in profile.
Late 19th century.
Silver (875°), enamel, wood, velvet, painting; chasing, cloisonne
enamel.
35.5õ31.3
4107.0 g.
State of preservation: one circular insert with enamel has come off and
is saved separately; two parts with enamel are missing.
- Three-part icon (skladen) in gilded silver, decorated with multicolored
pitted enamel; the leaves are bound by a cross, decorated with red and
dark blue enamel that is attached to the right leaf. Inside there is painting
on copper with depiction of the Savior, St Catherine and Sergius of Radonezh.
Has a handle, which bears two hallmarks: in an oval, the 84 silver assay
mark and the emblem of the city of Petersburg, and the letters "ÎÌ."
Late 19th century.
Silver, enamel, copper, painting; pitted enamel.
7.3õ5.7
161.0 g.
State of preservation: painting has been damaged.
- Pendant egg made of rose-red veined jasper, in a silver filigree
setting with round rosettes at the ends. In the upper rosette a sapphire
and four mother of pearl inserts have been set; in the lower rosette,
there is a lapis lazuli. The rosettes are joined by two crosses consisting
of a sapphire and four drop-shaped pearls each between the crosses along
a round mother of pearl insert. There is a pendant in the form of a chain
with carnelian. Two chains come from the upper rosette; they are linked
above by a cross piece on which there is attached a brown moon-shaped
stone; above is a double ring.
Silver (875°), 3 sapphires = 1.5 carats; kafim pearl, mother of pearl.
12.8õ5.0
129.59 g.
- Inkstand in the form of a silver egg covered with dark blue enamel
on a network background. Stands on three legs in the shape of volutes.
Has a silver button with a sapphire and an overlaid element in the shape
of a crown with 16 rosettes. Gilded inside, with a rubber stopper on a
spring.
Late 19th century.
Silver (875°), 16 rosettes, 1 sapphire, enamel, rubber.
6.5õ3.9
151.7 f.
- Sugar bowl, chased silver, in the form of a square woven basket.
Gilded inside and with a semicircular twisted handle. On the bottom are
two hallmarks: "ÏÅÄ", 84/ÀÔ and the emblem of Petersburg with
the date 1883
1883.
Silver 84°
16.0õ21.8õ21.8
767.1 g.
- Icon of the Miracle of St George and the Dragon. Upper part covered
with a silver and multicolored enamel setting (oklad). In a silver frame
with vegetal ornamentation placed on mica. Along its corners, the frame
is connected by four silver rectangular overlaid elements decorated in
filigree, dark blue enamel. Five inserts in clusters: in the: in the center
is a tourmaline; along the corners are turquoises. The reverse side is
covered in rose-colored silk fabric with a vegetal design woven using
golden thread (18th century fabric). There are two hallmarks on the frame:
"Ôß ÌÈØÓÊÎÂÚ" with a triangle in an oval, and a woman's head
in profile facing right with the 84 silver assay mark.
Icon from the 17th -18th century, from from the end of the 19th - beginning
of the 20th century
Wood, silver (84°), fabric, mica, tourmalines, turquoises; painting,
carving, chasing.
31.0õ26.8
1679.0 g.
State of preservation: in the lower right part of an insert a turquoise
is missing.
- Icon on wood with waist-length depiction of Lord the Almighty. Covered
with a gilded silver setting (oklad) with openings for the head and arms.
Has a silver aureole decorated with multicolored enamel. Gospel covered
in dark blue enamel and a similar inscription - Lord the Almighty (Ãîñïîäü
Âñåäåðæèòåëü). Along the edge of the oklad there is a stylized vegetal
ornamentation. The back side is covered in raspberry colored velvet. The
oklad has the hallmark "ÑÒ" and another which is illegible.
19th century.
Silver, enamel, wood, velvet, painting, chasing, engraving.
27.0õ22.8
999.0 g.
State of preservation: setting is slightly dented; painting is covered
with dirt; there are traces of old mold.
- Icon on wood with depiction of Our Lady of Kazan. In a full setting
(oklad) of silver with gilding having openings for the head and arms.
With a gilded silver aureole having an openwork edge. Chased riza of the
Virgin and Child. Along the edge of the oklad there is stylized vegetal
ornamentation. The back side of the icon is covered in raspberry colored
velvet. On the aureole there are two hallmarks: "ÅÊ" and "8".
19th century.
Silver, wood, velvet, painting; chasing, engraving.
27.0õ22.8
777.0 g.
State of preservation: two corners of the setting are dented - the upper
left and lower right; a crown on the left side is missing; the velvet
is worn and in one place it is torn.
- Silver brooch in the shape of an oval, wavy leaf. Covered with bright
blue enamel, with a branch and flower, with two leaves and volute with
bud. Decorated with diamonds and rosettes. The reverse side of the leaf
is gilded and has part of a golden fastener 1st half of the 19th century.
Silver, gold, enamel, diamonds and 95 small rosettes; engraving, gilding.
5.1õ3.7
21.77 g.
State of preservation: the flower on the branch is broken and some of
the petals with gemstones have been lost; there are empty clusters; the
fastener is broken and only part is present.
- Icon on wood depicting the Resurrection in the middle and Twelve
Festival Days in vignettes. In a gilded and chased silver setting (oklad)
which copies the same subjects as are on the icon and has openings for
the faces, hands and figures. With 18 aureoles of saints decorated with
turquoise. A single aureole for Christ, decorated with turquoise and paste.
The vignettes are framed in pearls. In the upper part there are engraved
inscriptions. The center has a frame of bas relief stylized leaves. Along
the edge of the oklad is a chased frame of acanthus leaves, with rosettes
along the corners. The oklad has 4 hallmarks: "ÌÊ/1821"; "84",
"ÏΘ" and the emblem of the city of Moscow.
Moscow, 1821.
Silver, turquoise, paste, wood; chasing.
3.8õ35.7õ31.3
687.5 g.
- Silver cigar case, rectangular, with a hinged lid, decorated with
multicolored enamel in a stylized vegetal pattern; gilted background with
metalworking in the kanfar technique. On the lid there is an overlaid
element with silver monogram. The back side has a section for matches
with hinged lid. On the opposite side there is a wick. Hallmarks: "ÔÎ";
"84" and the emblem of the city of Moscow.
Moscow, 1880s.
Silver, enamel, cord, carving, engraving
2.0õ9.5õ6.0
237.56 g.
State of preservation: the enamel is chipped along the edge.
- Icon on wood of Our Lady of Vladimir, in a riza with river pearls,
mother of pearl and colored glass and in a chased silver setting (oklad)
decorated with stylized vegetal ornamentation, with gilded aureole and
a rosette of glass elements. The reverse side of the panel is covered
in raspberry colored velvet. The rosette on the aureole is a later addition.
1st half of the 18th century.
Wood, silver, pearls, mother of pearl, glass, velvet, painting, chasing,
sewing.
33.0õ27.0
weight of the setting = 344.95 g.
weight of the riza = 37.73 g.
State of preservation: along the edges the painting and foundation are
damaged; the setting is work and dented on the edges; the pearls on the
riza have come off in places. On the aureole there are breaks; on the
rosette there are empty clusters where the glass is missing
- Silver tankard, gilded inside, broadening out at the top, with a
handle ending at the top in a man's head in helmet. In the upper part
of the tankard there are three oval medallions in eight-sided frames having
overlaid depictions of antique subjects. The frames are decorated with
a vegetal design. Along the lower edge of the body there are also overlaid
stamped depictions of three dancing graces and cupid, repeated thrice.
Along the edge of the tankard there is a bas relief fascia consisting
of vegetal design, volutes and vases with swans. At the bottom there are
4 hallmarks: "P.MULLER"; "ÌÊ/1830", "84"
and, in a circle, the emblem of Petersburg. Silversmith Peter Muller,
Petersburg.
1830.
Silver, chasing, stamping, engraving.
15.5õ9,8õ7.5
288.91 g.
State of preservation: inside there are spots; the bottom is somewhat
bent.
- Pendant brooch, golden, in the form of a floral twig consisting
of a flower, a bud and three leaves. The lower part of the brooch is framed
in a volute. Pin and eye closure to suspend from clothing. In the flower
there is one large diamond. In the leaves there are 11 brilliants. On
a clasp in 56 or 54(?) assay gold.
End of the 19th century, beginning of the 20th century.
Gold (56°), 12 diamonds.
4.2õ3.0
10.63 g.
State of preservation: worn.
- Icon on wood of Nicholas the Miracle-Worker in a chased silver setting
(oklad), with aureole in the shape of rays and miter in the middle. The
riza on the setting is in high relief, with chased vegetal design, the
Gospel and a cross. In the upper part of the oklad there is a depiction
of saints in the clouds. Along the edge there is a bas relief frame consisting
of acanthus leaves. The hallmarks: "ÀÒ", "ÍÄ/1835",
"84" and the emblem of the city of Moscow.
Moscow, 1835.
Silver (84°), wood.
3.0õ31.5õ26.5
Silver (875) = 334.0 g.
State of preservation: on the setting there are dents, deformations; the
ends of the aureole are bent and two are broken; several rays are missing.
The painting is damaged. The back of the wooden board has been eaten by
beetles.
- Icon on wood of the Joy to All Who Grieve, in a chased silver setting
(oklad) with aureole. Along the edge of the oklad is a frame with bas
relief vegetal design. On the oklad there are ornamental frames with inscriptions.
The hallmarks: "ÔÒ", "84", "ÍÄ/1827" and
the emblem of the city of Moscow
Silver (84°), wood, painting, chasing, carving.
3.3õ31.7õ25.7
State of preservation: there are cracks on the icon, peeling, chips of
the paint layer, puffing up; dowels are damaged, chipped. The setting
is slightly dented, worn, scratched; the edges are bent.
- Icon on wood of Nicholas the Miracle Worker in a chased silver setting
(oklad) with aureole, with rays decorated with (colored) paste glass and
ornamentation in colored glass. The riza on the oklad is in high relief,
with a chased vegetal design and enamel Gospel. In the upper part there
is a depiction of Christ and the Virgin in the clouds and enamel overlays
with inscriptions: two rectangular and two oval. Along the edge of the
oklad there is a high frame of chased acanthus leaves. Along the corners
there are overlaid rosettes with paste glass. The hallmarks: "ÌIÒ",
"ÍÄ/1825", "84" and the emblem of the city of Moscow.
Moscow, 1825. The icon has a later addition of lamp with colored glass
in clusters and an insert - a small glass holder made of rose-colored
glass. End of the 19th century.
Silver (875°), wood, enamel, glass, chasing.
33.5õ28.5õ4.5
net weight. = 4710.0 g.
lamp - 8.5õ5.8
State of preservation: aureole is broken at the top and a piece is held
separately; part is missing; 5 inserts with paste are missing; in the
lower part two clusters with paste are missing and one cluster is empty;
the rays are missing 5 clusters with paste. A decoration in the form of
a ribbon with colored glass and paste is held separately: it has 7 empty
clusters and one broken ray. There is an empty cluster on the lower left
of the rosette; in the center there are chips and cracks on the enamel
of the gospel. On the lower left of the rosette a cluster is empty; in
the center there are chips and cracks on the enamel of the gospel. The
setting is work and in places it is bent and there are scratches. The
frame is worn and in places it is bent and there are scratches. The leg
for attaching the lamp is missing.
- Icon on wood of Our Lady of Iversk in gilded and chased silver setting
(oklad) with overlaid relief riza. Fine engraved ornamentation. Silver
aureole decorated with multicolored enamel along filigree in the form
of a floral pattern. The background of the oklad is a small net; along
the edge a frame formed of geometric ornamentation. Below there is the
inscription in dark blue enamel: "èâåðñêiå Ï. Áóï". Hallmarks:
"ÀÇ", "ËÎ/1894", "84" and the emblem of
the city of Moscow.
Moscow, 1894.
Silver 84° (875°), enamel, wood, painting, chasing.
22.3õ17.7
gross weight. = 577.5
net weight = 130.0 g.
State of preservation: the edges of the setting are dented, the corners
are bent, signs of wear. The silk is torn.
- Icon on wood of Our Lady of Kazan in a gilded silver setting (oklad)
with ornamental engraved frame. The panel is covered from below by a rose-colored
velvet. In wooden icon case. Hallmarks: "ËÎ/1891", "84"
and the emblem of the city of Moscow
Moscow, 1891.
Silver (875°), wood, tempera, velvet; gilding, engraving.
22.5õ18.0
Net weight: 230 g
State of preservation: setting is worn, on the icon the paint layer has
swollen.
- Small ladle in gilded silver with shaped handle. Decorated with
vegetal ornamentation with colored enamel along filigree. On the handle
there is an overlaid gilded monogram "AÎ" under a crown. Inside
the ladle there is an engraved inscription: "19 IX 1927". On
the bottom are two hallmarks: Â.À., a woman's head in profile and the
silver assay mark 84, ÈË
Moscow, 1896-1903
Gold, silver, enamel, gilding
5.0õ13.2õ8.0
155.88 g.
State of preservation: gilding worn; dark spots; oxidation; on the handle
of the ladle there is a small opening; the crown has come off (stored
separately)
- Icon on wood the the Madonna with Child, in a silver setting (oklad)
with enamel along filigree. The oklad is in the shape of a frame decorated
with stylized vegetal ornamentation, overlaid corners and two aureoles.
The reverse side of the icon is covered in velvet. On the lower frame
there are the hallmarks: "Ô.ÎÂ×ÈÍÍÈÊÎÂÚ", "ÀÐ/1890",
"84" and the emblem of the city of Moscow.
Moscow, 1890.
Silver, wood, enamel, velvet, filigree.
23.0õ18.0õ3.5
795.0 g.
State of preservation: one square part has been lost, the enamel has chips
and parts are lost; slightly deformed; there are dents on the metal, scratches,
dirt.
- Icon on wood of Savior, the Almighty, in a gilded silver setting
(oklad) with enamel and filigree. The aureole, the sides of the clothing
and the corners are decorated with white, pale blue, green, dark blue
and red enamel. The clothing is made of four types of filigree. In the
left hand of the Savior is an open Gospel. Along the lower edge are the
hallmarks: "ÑÃ", "ÀÀ/1896", "84" and the
emblem of the city of Moscow. All the enameled overlays have the hallmarks
"ÑÃ", "84" and the emblem of the city of Moscow.
Moscow, 1896.
Silver, wood, enamel; filigree, chasing, engraving, painting.
26.8õ22.2õ2.8
1102.7
State of preservation: setting is work, spotted; minor loss of enamel;
filigree is deformed, scratches. The background of the setting is very
deformed. Cracks and dents in the paint layer.
- Silver cigar case with hinged lid. On the lid there is a depiction
on enamel of a woman with an umbrella. Hallmarks: "ÊΨS",
"935".
Silver, enamel, nonprecious metals.
1.0õ8.8õ6.3
Gross weight.=113.01 g.
Net weight.=108.0 g.
State of preservation: worn, dents, scratches.
- Icon of St Nikola with vignettes of his life, in a gilded silver
setting (oklad) with overlays of multicolored enamel and a silver overlaid
aureole. Along the lower border there are the hallmarks: "Ï.ÎÂ×ÈÍÍÈÊÎÂÚ"
and under a two-headed eagle, the factory.
3rd quarter of the 19th century.
Silver, nonprecious metals, wood, painting, enamel; engraving, gilding,
chasing.
31.1õ27.1õ2.4
Gross weight = 768.2 g.
Net weight of silver ( 875°) = 764.0 g.
State of preservation: scratches, spots, wear, missing two round inserts
in the lower part, spots. Mountings of the lining are made of nonprecious
metals.
- Icon of the Apostles Peter and Paul in gilded silver setting (oklad)
with chased and engraved vegetal ornamentation; with 3 overlaid aureoles,
the Gospel and plaques with inscriptions in multicolored enamel. On the
background, an engraved depiction of a cathedral. The reverse side of
the icon is covered in silk. Along the border of the icon there is the
Savior and on overlaid riza there are the hallmarks: "ÀÌÌ" -
the silversmith and the assay inspector I. Lebedkin and the standard "84".
Moscow, 1896-1908.
Silver, nonprecious metal, wood, silk, engraving, gilding, painting.
31.2õ26.7õ1.2
Gross weight of setting = 511.0 g.
Net weight of silbver (875°) = 510.0 g.
State of preservation: scratches, dents, wear, deformation, nails made
from nonprecious metal.
- Icon of St Nikola in chased silver setting (oklad) with overlaid
gilded silver aureole. Chased and engraved vegetal ornamentation on the
background. Three overlaid aureoles. Along the lower edge, there is the
inscription: "âåñó 1 ôóí. 30/ 1/4 çîëî". Hallmarks on the oklad
and aureole: "ÀÊ/1865" - the assay master A.S. Kudrin, the assay
standard "84" and the city hallmark of Nizhny Novgorod, as well
as "ÏÏ" - a silversmith (?).
Nizhny Novgorod, 1865.
Silver, wood, chasing, gilding, engraving, painting.
Gross weight of the setting = 538
Net weight of the silver ( 875°) = 538.0
State of preservation: scratches, wear, deformation; part of the aureole
is broken; there is swelling on the painting, loss of paint, peeling.
- Icon of St Mary of Egypt, in chased silver setting (oklad) with
six silver overlaid elements with inscriptions and two aureoles. On the
corners of the oklad are chased roses. On the lower edge there are the
hallmarks: "ÀÊ/1876" - the assay master A.S. Kudrin, the silver
standard "84", the city hallmark of Nizhny Novgorod, "ÈÓ"
- the silversmith I.I. Udalov. On the reverse side the icon is covered
with velvet. I.I. Udalov, N. Novgorod
1876.
Silver, wood, chasing, gilding, engraving, painting.
36.1õ31.2õ2.8
Gross weight of the setting = 868.3 g.
Net weight of silver = 868.3 g.
State of preservation: scratches, wear, spots.
- Clasp brooch made from a pendant with two suspended elements. In
the center of the brooch and at the end of the pendants there are one
emerald each (3 pcs). Around the emeralds and on the pendants there are
four diamonds and 86 roses. No hallmarks.
Late 19th century.
Gold, silver, diamonds, roses, emeralds.
5.4õ2.8
7.38 g.
State of preservation: solder is from nonprecious metal; there are cracks
in the emeralds, chips, scratches, wear, soiled.
- Golden brooch with sapphire (asterisk) and four diamonds on a strap.
No hallmark. In a leather case.
Late 19th century
Gold, diamonds
Length - 5.3
7.25 g.
State of preservation: scratches, wear, spots
134. Golden ring with diamond and pearl. No hallmark. In a case marked
"Ôàáåðæå" (Faberge).
Diameter -2.1
3.44 ã.
State of preservation: dents, scratches, wear, soldering; the ring has
an insert of solder.
- Icon on wood of Our Lady of Smolensk, Odigitria in a gilded silver
setting (oklad) with doubled aureole and pearl riza. Hallmarks: "ÀÁ/1",
"Â.À. Ìîñêâà", 1760s. The silver mark "76" has been
scratched out.
Silver, roses, emeralds and low grade pearls; gilding, velvet
35.6õ31.1õ3.2
2044.8 g.
State of preservation: setting is dented, deformed; edges torn, scratched;
metal on the rim partly lost, generally dirty; wear, gilding in places
is missing; nails and loop on the reverse side are made of nonprecious
metal; pearls have no luster, low quality, peeling. Velvet is soiled.
- Icon of Our Lady of Czestochowa in gilded silver setting (oklad)
with filigree riza, with doubled enamel aureole and four silver enamel
overlays with inscriptions. Hallmarks: "ÑÆ" -atelier owner S.I.
Zharov, Moscow assay administration with "84" silver standard.
Silver, satin, glass; filigree, enamel on filigree
30.8õ26.8õ3.3
755.6 g.
State of preservation: dirty, enamel worn, chipped; gilding very thin,
scratches.
- Icon on wood of Nikolai the Miracle Worker in chased silver frame
(the frame has been selected from another icon). Saints are on the frame.
No hallmarks. Russia.
2nd half of the 19th century.
Silver, chasing, wood, tempera.
32.0õ26.5
1671.2 g.
State of preservation: frame is dented; on the aureole metal is missing
in places, tears, soiled in general; paint layer is peeling.
- Gilded silver egg, with multicolored enamel on filigree. On the
flatter end, a two-headed eagle. Hallmarks: "84," by the Moscow
Assay Administration.
1908-1917.
Silver, gilding, casting, enamel, filigree.
8.5õ7.2
132,2 ã.
State of preservation: enamel is cracked; gilding is worn, scratched;
inside the metal is broken.
- Powder case, silver, round, with a hinged lid. Gilded inside. The
entire surface is covered with stylized vegetal ornamentation in enamel.
Hallmarks: "6ÌÀ", "84", by the Moscow Assay Administration.
1908-1917.
Silver, gilding, casting, enamel.
7.0õ2.0
96.2 g.
State of preservation: gilding very worn; enamel is chipped.
- Icon on wood of Lord the Almighty in a gilded stamped silver setting
(oklad) with overlaid enamel aureole and enamel overlays. In raspberry
colored silk. Hallmarks: "ÍÃ", "84" by the Moscow
Assay Administration, 1908-1917. On the reverse side, a paper sticker
- "Ñ.È. Ùåêëååâú. Õàðüêîâú. Ãîñòèí. Äâîð ¹ 23721 126-ð."
Silver (875), gilding, enamel, silk, wood, oil paint; stamping.
17.5õ14.2
325.0 g.
State of preservation: soiled, worn, inserts are badly attached; silk
is torn, cut.
- Icon on wood of Our Lady of Iversk in a gilded stamped silver setting
(oklad) with overlaid gilded silver aureole, with enamel overlays, in
a wooden icon case. Hallmarks: "ÑÃ", "84" of the Moscow
Assay Administration, 1899-1907.
Silver, gilding, enamel, velvet, wood; stamping
22.0õ17.5
382.0 g.
State of preservation: worn, soiled, gilding worn, breaks in the metal,
velvet worn.
- Icon on wood of Our Lady of Kazan in a gilded silver setting (oklad)
with enamel overlays in the corners and overlaid enamel aureole. Filigree
riza decorated in beading. Dressed in lilac-colored velvet. Hallmarks:
"ÑÃ", "84", city of Moscow
Silver (875), gilding, wood, velvet, enamel, filigree, beading, oil paint
26.8õ22.0
484.7 g.
State of preservation: gilding worn, enamel worn, scratched, chipped,
lost in places; filigree broken and partly lost (5 cm); on the sides there
is considerable loss of metal, breaks (7.9 cm above, 10 cm below), cracks,
loss of the paint layer from the wooden base.
- Icon on wood of Our Lady of Vladimir in gilded and stamped silver
setting (oklad) with overlaid gilded silver aureole, dressed in blue velvet.
Hallmarks: "ÔÊ", "84" of the Petersburg Assay Administration,
1899-1907.
Silver (875), gilding, wood, velvet, stamping
26.5õ22.0
692.9 g
State of preservation: soiled, gilding very worn, breaks in the metal
and loss, traces of nails.
- Icon on wood of Our Lady (Fedorovskaya) in silver setting (oklad)
with overlaid chased gilded silver aureole (possibly unmatched). On the
back there is the inscription: "ãîäà 1842 ßêîâà Âÿëîâà" (1842,
Yakov Vyalov). Hallmarks: "ËÓ", "À:Á/184..", "84"
of the city of Nizhny Novgorod.
Silver (875), gilding, wood, chasing, pointille, tempera.
32.3õ27.5
463.3 g.
State of preservation: worn, dirty, deformed, aureole is poorly attached;
painting is dirty, loss of the paint layer from the wooden base.
- Icon on wood of Our Lady (Strastnaya) in a chased silver setting
(oklad) with traces of gilding, with overlaid gilded silver aureole. Hallmarks
on the oklad: "ÊÊ/1848", "84", "ÀÈ", city
of Moscow.
Ñåðåáðî 875, ïîçîëîòà, äåðåâî, ÷åêàíêà, ìàñëî.
31.2õ24.9
343.1 g.
State of preservation: soiled, worn, deformed, cracks and loss of metal,
traces of nails.
- Icon on wood of the Savior, the Almighty in gilded stamped silver
setting (oklad) and frame, with enamel overlays, with overlaid gilded
silver aureole, decorated with four violet glass elements. Hallmarks:
"ÑÆ", "84", Moscow Assay Administration, 1908-1917.
On the background under the aureole there is scratched out - "ôîíú
çîëî÷åíûé" (background gilded).
Silver (875), wood, glass, gilding, enamel, stamping, engraving.
30.5õ26.0
628.7 g.
State of preservation: worn, dirty, gilding worn, aureole has come off
(stored separately).
- Icon on wood of Saints Pelagey, Paraskev, Andrew, the Martyr Irene,
the Martyr Claudia depicted full length, in a chased silver setting (oklad)
with traces of gilding. In the upper part is the Protection of the Virgin.
Hallmarks: "84", "ÑÊÇ", city of Moscow.
Silver (875), wood, gilding, chasing, engraving, pointille.
29.0õ24.0
307.4 g.
State of preservation: setting is dirty, dented, breaks at the corners.
The Virgin's aureole is dented. Painting has been redone, soiled.
- Icon on wood of Our Lady, Comfort and Joy in gilded and stamped
silver setting (oklad) with overlaid gilded silver aureole, dressed in
raspberry colored silk. Hallmarks: "ÑÆ", "84", Moscow
Assay Administration.
1908-1917.
Silver (875), silk, wood, gilding, stamping, engraving, oil paint.
35.5õ30.0
799.9 g.
State of preservation: gilding worn, spots, dirt, traces of corrosion;
silk is torn.
- Icon on wood of Our Lady (Tolgskaya) in chased silver setting (oklad).
In the fields, St. Sergius and St. Merimian. Dressed in lilac colored
velvet. Hallmarks: "ÍÃ", "84", Moscow Assay Administration.
1908-1917.
Silver (875), wood, velvet, chasing, engraving, pointille, tempera.
31.5õ26.5
448.3 g.
State of preservation: setting soiled, worn, dented, deformed; velvet
torn; wooden board has split; loss of painting from the board.
- Icon on wood of the Savior, the Almighty in a stamped silver setting
(oklad) with traces of gilding, with overlaid enamel aureole, dressed
in red velvet. Hallmarks: "84", "IÃ", Moscow Assay
Administration.
1908-1917.
Silver (875), velvet, wood, gilding, enamel; stamping
18.0õ15.0
36.3 g.
State of preservation: setting is dented, worn, dirty, breaks in the metal
and losses, traces of nails; velvet has faded, torn, worn.
- Silver lamp, partly gilded, with stylized chased vegetal ornamentation,
on three chains and with a lid. Hallmarks: city of Moscow, 84 À.À/1884,
"ÎÌ" - silversmiths O.F. Mukhin, A.A. Mukhin.
1884
Silver, gilding, casting, chasing, carving, pointille
57.0õ10.0õ10.0
269.4 g.
State of preservation: gilding very worn, solder, spots
- Icon on wood of the Savior, the Almighty in chased silver setting
with overlaid gilded silver aureole. Hallmarks: "ÔÑ", "84",
"Â:Â/1834", city of Kostroma; silversmith F.S. Syromiatnikov.
1834
Silver, gilding, chasing, wood, tempera
30.0õ26.0
1367.9 g.
State of preservation: deformation, corrosion, spots, dirt, losses of
painting
- Icon on wood of Lord the Almighty in chased and gilded silver setting
(oklad) with overlaid gilded silver aureole, decorated with eight enamel
overlaid sections, and dressed in rose-colored velvet. Hallmarks: "ÍÄ/1824",
"84", city of Moscow. "ÌÃ" - Matvei Grechushnikov
1824
Silver, gilding, chasing, enamel, wood, tempera, velvet.
31.5õ26.8
1364.1 g
State of Preservation: deformation, wear, dirt, fabric is faded, torn.
- Icon on wood of Savior, the Almighty in a chased and gilded silver
setting (oklad) with overlaid gilded silver aureole, decorated in colorless
glass and turquoise. On the background - four overlaid sections of white
enamel. Dressed in rose-colored velvet. Hallmarks: "84"",
"AK/1857", "ÀÒ", city of Moscow
Silver, gilding, chasing, enamel, turquoises, glass, wood, oil paint,
velvet.
31.4õ26.7
1319.4 g
State of preservation: slight deformation, loss of the paint layer; velvet
is torn, dirty, faded.
- Icon on wood of Our Lade of Mercy (Umilenie) in a chased and gilded
silver setting (oklad) with double gilded silver aureole. Riza decorated
with filigree and beading, with a mounting of colored foil. Dressed in
rose-colored crepe. On the lower edge there are the hallmarks: "ÀÊ/1846"
- the assay master A.A. Kovalsky, "ÍÌ" - the silversmith N.
Mikhailov, the emblem of Moscow, the assay standard "84". Master
N. Mikhailov, Moscow
1846.
Wood, tempera, silver; chasing, beading, filigree, gilding
315.õ27.5
2052.7 g.
State of preservation: soiled, worn, breaks in the filigree and losses;
setting is deformed; holes from nails, dents, scratches.
- Salt cellar, silver, in the shape of a jug. Along the entire surface
it is decorated with floral ornamentation in painted enamel over false
filigree and beading. Hallmarks: "ÔÌ" - the silversmith F.D.
Mishukov; Moscow Assay Administration with assay inspector Ivan Lebedkin
- "ÈË".
Silver, casting, beading, enamel
4.1õ7.4õ7.4
94,27 g.
State of preservation: traces of clay, dirt, worn, small loss of enamel.
- Silver tea canister, partly gilded, with lid and plug. On its lateral
sides are views of Moscow in niello. On the borders there is stylized
vegetal ornamentation. On the bottom, on the lid and on the plug there
are hallmarks: "ÂÑ" - the factory of Vasily S. Semenov, "ÀÀ/189"
- the assay master Anatoly Appolonovich Artsibashev, the emblem of Moscow
and "84"
Purchased via the Expert Procurement Commission of the State Hermitage
from I.V. Knoroz for 2500 rubles (together with ÝÐÎ-9592)
Silver, niello, carving, engraving, gilding, pointille
11.7õ6.8õ6.8
369.2 g.
State of preservation: worn, dirty, scratches
- Sugar bowl with hinged lid, partly gilded. On the lateral sides
views of Moscow in niello. Along the borders, stylized vegetal ornamentation.
On the bottom and on the lid the hallmarks: "ÂÑ" - the factory
of Vasily S. Semenov, "ËÎ/1890" - the assay master Lev Federovich
Oleksa, the emblem of Moscow and "84"
Silver, niello, carving, engraving
9.0õ6.8õ6.8
288.9 g.
State of preservation: worn, dirty, scratches
- Silver plate, gilded, decorated with colored enamel; in the central
medallion - birds looking to the left.
Faked to appear to date from the 19th century; false hallmarks.
Silver (916), gilding, enamel, pointille
11.9õ11.9
150.5 g.
State of preservation: worn, scratches.
- Silver plate, gilded, decorated with colored enamel; in the central
medallion - birds looking to the right.
Faked to appear to date from the 19th century; false hallmarks.
Silver (916), gilding, enamel, pointille
12.1õ12.1
160.55 g.
State of preservation: worn, scratches.
- Gilded silver beaker; entire surface decorated in multicolored enamel.
Faked to appear to date from the 19th century; false hallmarks.
Silver (916), gilding, filigree, enamel
13.0õ6.4õ5.3
287.1 g.
State of preservation: worn, scratches.
- Gilded silver beaker; entire surface decorated with colored enamel.
Faked to appear to date from the 19th century; false hallmarks
Silver (916), gilding, filigree, enamel
13.4õ6.5õ5.2
301.4 g
State of preservation: worn, scratches.
- Easter egg, silver; entire surface decorated with colored painted
enamel.
Faked to appear to date from the 19th century; false hallmarks.
Silver, gilding, filigree, enamel
10.7õ8.6õ8.6
496.1 g.
State of preservation: gilding worn, spots.
- Figurine of a frog made of green jasper with glass eyes; in the
mouth a golden arrow with 18 leicosapphires and enamel. Fake Faberge;
false hallmarks.
Gold (583), jasper, glass, tiger eye, leicosapphire, enamel
4.8õ9.9
277.5 g.
State of preservation: the top is not attached, stone is chipped
- Figurine of bear made of obsidian playing with a golden and enamel
drum; the eyes, decoration of the chain and drum are made from leicosapphires.
Fake Faberge.
Gold, silver, obsidian, leicosapphires, enamel
15.0õ10.0õ9.5
1006.9 g.
State of preservation: stone is scratched
- Figurine of a monkey seated on a pillow with a ladle in its hands;
made of semiprecious stones. Fake Faberge.
Gold (750), silver (750), obsidian, jasper, cacholong, enamel, diamonds,
roses
12.6õ8.2õ8.4
755.6 g.
State of preservation: chips on the enamel, ladle not well attached
- Icon on wood of the Annunciation, in chased silver setting (oklad)
with three overlaid gilded silver aureoles. Hallmarks: "ÀËÊ"
- an unknown master, "ÌÊ/1834" - the assay master, city mark
of Petersburg, "84".
Petersburg, 1834
Wood, tempera, silver, chasing, gilding.
23.4õ18.2
910.7
State of preservation: deformation, worn scratches.
- Icon on wood of Our Lady of Kazan, Joy to All Who Grieve in chased
silver setting (oklad). The figure of the Madonna has a gilded silver
riza and aureole. Dressed in red velvet. Hallmarks: "ÂÊ" - owner
of a silversmith atelier V.A. Kovalevsky, "ÈÄ/1841" - the assay
master, city mark of Moscow, "84". Kovalevsky Workshop, Moscow
1841.
Wood, oil paint, silver, gilding, chasing, velvet
22.9õ16.7
538.7 g
State of preservation: deformation, gilding worn.
- Icon on wood of Our Lady of Kazan, in chased and gilded silver setting
(oklad) with double gilded silver aureole, dressed in violet velvet. Hallmarks:
"À", "ÀÔ/1888", "84", city mark of Petersburg.
Petersburg
1888.
Silver, gilding, chasing.
26.8õ21.9
989.0 g
State of preservation: gilding worn, spots
- Icon on wood of Our Lady of Kazan in gilded silver setting (oklad)
with overlaid enameled silver aureole, dressed in Bordeaux colored velvet.
Hallmarks: "ÀÇ", "ÀÀ/1893" - the assay master A. A.
Artsibashev, "84", city mark of Moscow.
Moscow, 1893.
Wood, oil paint, silver, stamping, gilding, enamel.
17.8õ14.3
325.9 g.
State of preservation: gilding is worn, enamel has been lost on the aureole.
- Icon on wood of Our Lady of Iversk, in chased silver setting (oklad)
with overlaid gilded silver aureole, dressed in blue velvet. Hallmarks:
"ÅÃÏ" - an unknown silversmith, the Petersburg Assay Administration.
1899-1908.
Petersburg, 1899-1908
From the Dzerzhinsk District Financial Department
Wood, oil paint, velvet, silver, chasing, gilding.
22.5õ18.3
792.6 g.
State of preservation: deformation, gilding is worn.
- Icon on wood of Our Lady of Kazan, in stamped silver setting (oklad)
with traces of gilding and double silver and enamel aureole, dressed in
brown velvet. Hallmarks: "ÀÑ/1895" - the assay master, city
of Moscow, last quarter of the 19th century, "84".
Velvet, silver, gilding, enamel, wood, oil paint; stamping.
26.5õ22.3
948.5 g
State of preservation: deformation, cracks, breaks and loss of metal;
aureole is not fixed down.
- Icon on wood of the Martyred St. Kunsha, in chased and gilded silver
setting (oklad) with overlaid gilded silver aureole, dressed in violet
velvet. Hallmarks: "ÈÂ", "ÀÀ/1895" - the assay master
A.A. Artsibashev, city mark of Moscow of the last quarter of the 19th
century, "84".
Wood, oil paint, silver, gilding, enamel, stamping, velvet.
26.8õ22.3
1076.2 g.
State of preservation: deformation, wear, spots
- Icon on wood of the Savior Nerukotvorny ("Not Made by Human
Hands") in a stamped and partially gilded silver setting (oklad)
with overlaid silver and enamel aureole. Hallmarks: "ÑÃ", Moscow
Assay Administration, 1899-1908.
Silver, gilding, stamping, enamel, wood, oil paint, velvet.
22.3õ17.9
566.2 g
State of preservation: deformation, aureole is bent, loss of enamel, velvet
is faded.
- Icon on wood of the Burning Bush in chased and gilded silver setting
(oklad) with two overlaid plaques with niello inscription. Dressed in
violet velvet. Hallmarks: "ÔÈ", "ÌÊ/1835" - the assay
master M. Karpinsky, "84", the city of Petersburg
Wood, tempera, silver, gilding, chasing, niello.
35.3õ30.7
2879.9 g.
State of preservation: deformation, spots, scratches.
- Icon on wood of St Nil Stolbensky in chased and gilded silver setting
(oklad). Hallmarks: city of Moscow with the date "1771", "ÀÅ/I"
- unknown silversmith
Silver, gilding, chasing, wood, tempera.
33.1õ28.4
1776.1 g.
State of preservation: aureole has been lost, deformation, scratches.
- Figurine of seal made of jasper with red stone eyes.
Fake Faberge. 1980s.
Jasper, carving, polishing.
5.4õ5.6õ3.3
53.16 g.
State of preservation: worn.
- Figurine of courtier made of semiprecious stones.
Fake Faberge. 1980s
Chalcedony, obsidian, lapis lazuli, nephrite, jasper, enamel.
10.7õ5.2õ3.7
155.3 g.
State of preservation: enamel lost on the belt, wear.
- Figurine of a seated monkey made of chalcedony with eyes of colorless
stones, in a case.
Fake Faberge, 1980s.
Chalcedony, carving.
9.1õ5.2õ5.2x.5.2
296.7 g.
State of preservation: worn
- Rectangular silver cigar case with rounded corners. On the obverse,
an enamel overlay. Gilded inside. Button with blue glass. Hallmark of
the Moscow Assay Administration, 1908-1917.
Silver, glass, enamel, gilding.
125õ87õ12 mm
Gross weight = 230.0 g.
Net weight = 215.0 g.
State of preservation: worn, scratched, dented, dirty, enamel is worn,
chipped.
- Icon on wood of St John, St Evdokia, and the seven young men of
Ephesus, in a silver setting (oklad) with three overlaid gilded silver
aureoles. Hallmarks: "ß.182..", "84", "ÐÌ",
city mark of Nizhny Novgorod.
Silver, chasing, gilding, wood, tempera.
25.0õ21.5
1259.4 g.
State of preservation: worn, deformation, breaks and loss of metal, loss
of rays of the aureole, significant loss of the paint layer with ground,
cracks, hard craquelure.
- Icon of the Savior, the Almighty in a chased and gilded silver setting
(oklad) with overlaid gilded silver and enamel aureole and enamel overlay.
Dressed in red velvet. Hallmarks: "ÑÃ", 84, Moscow Assay Administration,
1908-1917.
Silver, chasing, gilding, enamel, wood, oil paint, velvet.
22.3õ17.9
508.4 g.
State of preservation: breaks, scratches, wear, spots; pigment layer of
the painting has been lost in places, wear.
- Icon of Our Lady of Tikhvin in chased silver setting (oklad) with
overlaid silver and enamel aureole and four enamel overlaid sections.
Reverse side dressed in violet velvet. Hallmarks: "ÑÃ", "84",
"ÈË", head facing left, 1899-1908, Moscow.
Silver, chasing, enamel, wood, tempera, velvet, cartonåáðî, ÷åêàíêà, ýìàëü,
äåðåâî, òåìïåðà, áàðõàò, êàðòîí, pointille
17.9õ14.5
365.1 g.
State of preservation: dents, traces of nails, scratches, wear, traces
of gilding, enamel missing in places.
- Icon of Our Lady of Kazan in chased and gilded silver setting (oklad)
with overlaid gilded silver aureole with colored enamel and an overlaid
section in enamel. Reverse side dressed in red velvet. Hallmarks: "ÑÃ",
city of Moscow, 1908-1917.
Silver, gilding, chasing, enamel, wood, tempera
26.6õ22.3
817.9 g.
State of preservation: scratches, wear, breaks, deformation, dents.
- Icon on wood of Lord, the Almighty in stamped and gilded silver
setting (oklad) with overlaid gilded silver aureole. Dressed in red velvet.
Silver, gilding, stamping, wood, oil paint.
31.0õ26.5
998.2 g.
State of preservation: deformation on the edges, very soiled in general,
break on the riza; loss of pigment layer down to the wood.
- Icon on wood of St. Peter, St Alexei and St. Ustin (full length)
in gilded silver setting (oklad) with three overlaid gilded aureoles and
the figure of the Savior above. Dressed in lilac colored velvet. Hallmarks:
"ÍÄ/1829", "84", "ÍÈ", city of Moscow
Silver, gilding, chasing, wood, tempera.
30.õ27.5
1638.5 g.
State of preservation: aureole on the figure of the Savior has been lost;
very heavily soiled, deformation along the edges, large losses of pigment
layer down to the wood; crack in the wooden board, loss of paint along
the crack. Painting is worn; velvet has faded and is torn.
- Chalice, gilded silver with engraved medallions and inscriptions
on the cup and chased stem. Hallmarks: "ÍÀ", "ÀÊ/1852",
"84", city of Moscow.
Silver, gilding, chasing, engraving, pointille.
28.0õ11.4õ15.0
455.6 g.
State of preservation: worn, dirty, gilding worn, deformation, spots,
oxidation.
- Icon on wood of St John the Theologian in Silence, in a chased silver
setting (oklad), with two selected saints on the fields, with three overlaid
silver aureoles. Hallmarks: "ÍÍ", "ÌÄ/1876", "84",
city of Petersburg. Inscription: "âåñó.1.ô.32.çî" with a poincon
Silver, wood, tempera, chasing, pointille.
35.8õ29.7
2177.8 g.
State of preservation: setting is deformed, dirty, part near the upper
left is broken, spots, considerable part of the painting has beens lost,
peeling, dirty, wear.
- Icon on wood of Our Lady of Kazan in a chased silver setting (oklad)
with overlaid gilded silver aureole. Hallmarks: "ÄÒ/1850", "ÑÊÈ",
84, city of Petersburg
Silver, gilding, chasing, wood, tempera.
31.5õ26.5
1268.2 g.
State of preservation: worn, dirty, aureole is dented, deformation along
the edges; breaks in the metal and parts missing; on the icon pigment
layer has been lost in places down to the wood.
- Icon of Our Lady, Joy to All Who Grieve in a chased and gilded silver
setting (oklad) with gilded silver overlaid aureole, overlaid casts with
colorless glass on the aureole and two green glass elements on the cross;
with two overlaid sections with niello inscriptions. Hallmarks: "84",
"ÀÂ", city of Moscow/1799.
Silver, gilding, glass, wood, tempera, niello, chasing, engraving, pointille.
28.5õ23.7
1163.8 g.
State of preservation: deformation, has lost a considerable part of the
inserts with glass elements, dents, spots, wear; loss of the paint layer
in places.
- Icon on wood of the Madonna with Child in a stamped and gilded silver
setting (oklad), with double gilded aureole. Reverse side covered with
fabric. Hallmarks: "ÀÔ", "ÂÑ/1867", "84",
city of Moscow
Silver, gilding, wood, oil paint; stamping
30.9õ26.2
1044.7 g.
State of preservation: setting is deformed, along the edges there are
breaks and loss of metal in places; gilding is worn; heavily soiled in
general; pigment layer is lost in many places down to the wood.
- Icon of the Madonna with Child with four saints in the fields, in
a chased silver setting (oklad) with chased and gilded silver aureole.
Hallmarks: "ÒÐ", "Àß", "84", city of Petersburg
Silver, gilding, wood, tempera; chasing, engraving, pointille.
32,2õ26.4
1573.3 g.
State of preservation: deformation, dirt, dents, breaks on the aureole;
details are partly broken off; wooden base is warped; losses of the paint
layer along the edges, scratches, wear.
- Icon of Our Lady, Joy to All Who Grieve in a chased and gilded silver
setting (oklad) with gilded silver aureole. Hallmarks: "Ì Ë I",
"Àß", city of Petersburg, "1802", "84".
Silver, gilding, wood, oil paint; engraving, chasing, pointille.
33.8õ27.1
1677.7
State of preservation: breaks in the metal, traces of nails, deformation,
wear, corrosion, wear, losses of paint layer, craquelure.
- Icon on wood of Selected Saints Before the Icons of Our Lady (Tolgskaya),
Our Lady of Joy to All Who Grieve, and Our Lady of Vladimir, in a chased
silver setting (oklad) with 22 overlaid aureoles. Hallmarks: "ÔÔ",
"ÄÒ/1844", "84", city of Petersburg. Inscription on
the upper edge: "âåñó âú ðèçû 1 ôó. 23/3 ÷åòâåð."
Silver, chasing, wood, traces of gilding, tempera, pointille, engraving.
35.5õ31.0
1826.5
State of preservation: breaks and loss of metal along the edges, breaks
on the field, breaks on the aureoles, deformation, dents, heavily soiled,
corrosion; corner of the icon is broken off, chipped, cracked, peeling,
wear, losses to the pigment layer.
- Three-part icon of Our Lady Ease My Sorrow; the Resurrection; and
the Old Testament in a chased silver setting (oklad) with overlaid aureoles
of the Virgin. Hallmarks: "[È]Ç", "Àß", "84",
"1816", city of Petersburg.
Silver, wood, oil paint; chasing, engraving, pointille.
36.0õ27.0
2029.0 g.
State of preservation: rays of the aureole are broken off; breaks in the
metal, with loss, dents, scratches, scale; on the paint layer there are
traces of nails, losses, wear.
- Brush, round, in a gilded silver setting, decorated with colored
enamel on filigree.
Silver, enamel, gilding, wood, bristles.
D - 4,6
22.1 g.
State of preservation: flaws, scratches, deformation, spots.
- Brush, round, in a gilded silver setting, decorated with colored
enamel on filigree
Silver, enamel, gilding, wood, bristles.
D - 4,6
22.1 g.
State of preservation: flaws, scratches, deformation, spots.
- 202. Holder for chalk, gilded silver, decorated with colored enamel on
filigree.
Silver, enamel, gilding.
L - . 4,9
7.1 g.
State of preservation: flaws, scratches, deformation, spots.
- Holder for chalk, gilded silver, decorated with colored enamel on
filigree, with a piece of chalk
Silver, enamel, gilding.
L. 7.8
14.8 g
State of preservation: flaws, scratches, deformation, spots.
- Frame for a photograph, desktop, oval, with a retractable leg. Band
of the frame in lilac-colored transparent enamel on a guilloche background.
The frame is decorated on the external edge; on the inner edge by a sprig
of laurel leaf. In the upper part of the frame there are overlaid laurel
garlands, crossed torches intertwined with ribbons. Hallmarks: "ßÀ",
"ÔÀÁÅÐÆÅ".
Petersburg, 1899-1903, Faberge & Co.
Silver, enamel, wood, glass.
16.0õ12.0
315.3 g.
State of preservation: missing three screws for attaching the back wall;
flaws, scratches, deformation, spots. Cracks in the wood.
- Set of knives and forks in a wooden case lined with green velvet
and silk. Two-tine forks, silver, gilded on the handle - with pseudo-antique
ornamentation. Hallmarks: "ÁÐ. ÃÐ" (Grachev Brothers Ltd), Petersburg
Assay Administration.
1908-1917.
Dimensions of the case: 36.3õ24.1õ4.4
Silver, gilding, casting.
19.2õ1.6
31.1 g.
State of preservation: gilding worn, very soiled.
- Two-tine fork, silver, gilded, pseudo-antique decoration on the
handle. Hallmarks: "ÁÐ. ÃÐ" (Grachev Brothers Ltd), Petersburg
Assay Administration.
1908-1917.
Silver, gilding, casting
19.2õ1.6
31.2 g.
State of preservation: gilding worn, very soiled.
- Two-tine fork, silver, gilded, pseudo-antique decoration on the
handle. Hallmarks: "ÁÐ. ÃÐ" (Grachev Brothers, Ltd), Petersburg
Assay Administration.
1908-1917
Silver, gilding, casting
19.2õ1.6
32.1 g.
State of preservation: gilding worn, very soiled.
- Two-tine fork, silver, gilded, pseudo-antique decoration on the
handle. Hallmarks: "ÁÐ. ÃÐ" (Grachev Brothers Ltd), Petersburg
Assay Administration.
1908-1917
Silver, gilding, casting
19.2õ1.6
31.4 g
State of preservation: gilding worn, very soiled.
- Caviar scoop, silver, gilded, pseudo-antique decoration on the handle.
Hallmarks: "ÁÐ. ÃÐ" (Grachev Brothers Ltd, Petersburg Assay
Administration.
1908-1917.
Silver, gilding, casting
16.3õ2.1
34.3 g.
State of preservation: gilding worn, very soiled.
- Cheese knife, silver, gilded, pseudo-antique decoration of the handle.
Hallmarks: "ÁÐ. ÃÐ" (Grachev Brothers Ltd), Petersburg Assay
Administration.
1908-1917.
Silver, gilding, casting
19.4õ1.8
43.4 g.
State of preservation: gilding worn, very soiled.
- Fork, rounded, four-tine, silver, gilded, pseudo-antique decoration
of the handle. Hallmarks: "ÁÐ. ÃÐ" (Grachev Brothers Ltd), Petersburg
Assay Administration
1908-1917
Silver, gilding, casting
16.2õ3.1
34.9 g.
State of preservation: gilding worn, very soiled.
- Service knife with broad, semi-circular blade, silver, gilded, pseudo-antique
decoration of the handle. Hallmarks: "ÁÐ. ÃÐ" (Grachev Brothers
Ltd), Petersburg Assay Administration
1908-1917.
Silver, gilding, casting
20.1õ2.4
50.6 g.
State of preservation: gilding worn, very soiled.
- Icon on wood of Our Lady of Kazan in a gilded silver setting (oklad)
with double gilded silver aureole, decorated with white, red and green
glass; on the fields - the Guardian Angel and St Nikifor. Hallmarks: "ÌÔ",
Moscow Assay Administration, 1908-1917.
MF - ME Fukhtikov, owner
Silver, gilding, glass, wood, oil paint
22.2õ18.2
728.2 g
State of preservation: very dirty, spots, corrosion, breaks in the metal
along the edges with loss of metal.
- Icon on wood of a four-part Our Lady of Kazan, Resurrection of Christ,
St George, and Selected Saints: Nikola, Anna, Anastasia, Nikita. Selected
saints on the fields. Above - the Old Testament Trinity. In a chased silver
setting (oklad). Hallmarks: 1794/ÀÂ- assay master A.I. Vikhlyaev, ÀÎ/Ï-
an unknown alderman, city mark of Moscow.
Wood, tempera, silver, nonprecious metal (solder); chasing, carving.
32.0õ27.5
414.8 g.
State of preservation: icon is worn; in the lower part a large amount
of the painting layer has been lost (down to the wood). Setting is deformed.
Breaks along the edges with loss of metal.
- Gold pendant in the form of stylized vegetal volutes, decorated
with 9 diamonds and roses, white gold casta. Hallmark on the chain: "ÂÇ"
- an unknown jeweler, Petersburg Assay Administration 1908-1917, assay
standard - 56
Purchased via the Expert Procurement Commission of the State Hermitage
from A.N. Nemilov for 12 000 rubles
Gold, casting, diamonds, roses
6.2õ3.9, chain 49.2
16.97 g.
State of preservation: worn, soiled.
- 216. Lady's cigar case, rectangular, with rounded corners, silver, gilded
inside. Its entire surface is decorated with polychrome enamel on filigree
with depiction of flowers and leaves. Hallmarks: "ÕËÅÁÍÈÊÎÂ",
"ÈÕ", "ÂÑ/1883", "84", city mark of Moscow,
last quarter of the 19th cerntury.
Gift of N.A. Yasinskaya
Silver, gilding, casting.
3.2õ9.8õ5.6
157.0 g.
State of preservation: worn, indentations on the enamel, scratches, crumbling
at some points.
- Gold signet ring, decorated with 5 diamonds, 24 roses and 7 emeralds.
Hallmark of the Petersburg Assay Administration, 1908-1917
Purchased via the Expert Procurement Commission of the State Hermitage
from I.M. Strzhalkovskaya for 50 000 rubles
Gold, diamonds, roses, emeralds; casting.
2.7õ2.0
5.12 .
State of preservation: 7 empty clusters; soiled, worn
- Hand-held oval mirror in a silver setting, with bas relief depiction
of irises on the reverse side. Hallmarks: "Ê.ÔÀÁÅÐÆÅ", Moscow
city hallmark of the end of the 19th century with 84 silver standard.
Moscow, K. Faberge & Co.
Purchased from A.S. Kholonin for 5 000 000
Silver, stamping
24.8õ16.3
375.2 g.
Soiled, worn, indentations on the metal; mirror is worn; glass is chipped,
scratched; the amalgam has darkened.
- Desk clock with week-long mechanism; face in white enamel; round
frame; on a background of yellow enamel there are decorations in the form
of floral garlands tied with a ribbon. Hallmarks: "ÌÏ" - master,
"ÔÀÁÅÐÆÅ", "ÑÏá 1890", "88". Faberge &
Co., master artist M. Perkhin
1890s
Silver, enamel, casting; chasing
12.5õ11.0õ2.0
390.86 g.
State of preservation: the plaque on the reverse has been lost; one screw
is missing; the mechanism has shifted
- Silver cigar case. Inside and out, partly gilded. Its entire surface
decorated with painted enamel vegetal ornamentation. Hallmarks: ÅÏÐ -
an unknown silversmith, the Moscow District Assay Administration and the
initials of the assay inspector Ivan Lebedin - "È.Ë." Moscow.
1896-1903.
Purchased via the Expert Procurement Commission of the State Hermitage
from V.S. Shimon for 86 880, 00 rubles.
Silver, painted enamel, filigree, pointille, gilding, glass
10.0õ7.8
Gross weight - 201.1 g.
State of preservation: worn, scratched, gilding inside is heavily worn,
all along the surface there are small chips in the enamel
Description, dimensions, weight
- Gilded silver frame, square, with patterned blue enamel, bone back
plate. Silver mark on the frame and leg: 'ÀÃ' and silver mark in the oval
- '88' as well as depiction of woman's head in profile facing right.
Early 19th century.
Silver, enamel, bone, glass
6.8õ6.8 cm
79.76 g.
- Flat oval flask made of rock crystal, neck with cap in a frame shaped
like a crown with enamel on gold; crown of 300 rubies and 24 pearls.
19th century
11.4õ4.9õ3.0 cm
102.55 g..
Gold, rubies, pearl, rock crystal, enamel
- Figurine of rabbit, in cast silver with eyes of red colored stone.
Imitation Faberge.
1980s.
10.5õ15.2õ8.2
598.3 g.
Silver, casting, chasing, stone
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